Jonathan Self: My 146-year-old timepiece is the antithesis of the smartwatches — and it's all the better for it
How lovely to have a beautiful watch to order your life, says Jonathan Self; but how much better to have no need of one at all.
How lovely to have a beautiful watch to order your life, says Jonathan Self; but how much better to have no need of one at all.
EA Festival founder Joanne Ooi picks a bold image that's a mix of acrylic, ink and oil paint on canvas.
The Lord-Lieutenant of the County of Worcestershire chooses a Piero della Francesca masterpiece.
Wherever you are in Britain, you’re never far from an interesting gallery. Here we present an eclectic round-up of 45 places to see art outside the big cities.
The poet and artist Christopher Jackson chooses 'a macabre picture, with marvellous details': Chatterton by Henry Wallis.
The designer and art consultant Lady Caroline Percy chooses a vision of Ancient Rome by Turner.
Susannah Constantine chooses a painting by her own father, Joseph Constantine.
John Chatfeild-Roberts of the British Sporting Art Trust chooses a classic Munnings image.
The photographer Henry Dallal, a favourite of the late Queen Elizabeth II, chooses a modern take on an ancient Persian image.
Love it or loathe it, royal memorabilia is big business. Huon Mallalieu takes a look at the commemorative souvenirs of the past and considers if they ever really make an investment for the future.
The award-winning writer chooses a beautiful landscape.
The CLA president chooses a magical landscape.
William Astor chooses a painting from an artist with whom he was lucky enough to have a personal connection: Sir Stanley Spencer.
The architectural historian Oliver Gerrish chooses an idyllic Edgar Wood landscape.
Country Life's John Goodall managed to get hold of a ticket to one of the most eagerly-anticipated art exhibitions in years: Vermeer at the Rijksmuseum in Amsterdam.
Interior designer Marie Soliman chooses an unforgettable image by Mark Rothko, one of the most distinctive modern artists of the 20th century.
The chairman of Cheltenham Racecourse picks a classic image from the equestrian world.
Alistair Smith, editor of The Stage, picks a dark and unsettling Goya that hangs in the Prado — yet was never intended to be put on display.
The composer and conductor picks Three Musicians by Pablo Picasso.
Nicholas Lyons, Lord Mayor of London, chooses a dramatic and expressive post-war image.